关于笙 - 分类

《玫瑰花开》笙独奏

曲：长工肖江牟善平此曲是由流行于山东平阴地区的民歌改编而成，乐曲主要描写了玫瑰花盛开时，群蝶飞舞，花农采摘玫瑰的场景。演奏技巧主要运用剁气、锯气和舌颤音演奏。参考视频：

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《二泉映月》笙文曲

曲：阿炳改变：冯海云《二泉映月》是一首耳熟能详的二胡名曲。低音文曲笙版《二泉映月》的新意在于笙复调多声性演奏技术的有效运用。低音文曲笙音色圆润、浑厚。乐曲中伴随主旋律的复调声部如影随形，为听众展开了一幅立体的、多层次的意境和画面。--2015笙艺术周《笙文曲作品》

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《如同你我》笙独奏

曲：老锣老锣特别喜欢“笙”，他说：“笙的功能太丰富，它是中国民乐中唯一能吹出和弦，并且节奏爆发力非常强的乐器”。而作为西方乐器的手风琴，它的"祖先"其实就是中国的民族乐器“笙”，它们有着相同的发声原理，都是簧片乐器，他们是一对中西兄弟，就如当代诗人王艺的诗：“那被时空阻隔的不是你我，你我是分不开的，如同琴和瑟，如同风和雨，如同你我”。--2015笙艺术周《笙现代音乐作品》

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《呼吸IV》笙独奏（Kokyu IV）

曲：真锅尚之（Naoyuki Manbe）这不是神秘物质发出的声音，也不是一个机械性的声音。人类生存的根源就是呼吸，也是人类最温暖的动作。这首3和4对我来说是呼吸系列作品里面最重要的主题。 2003年作曲。呼吸3的演奏方法是追求颤动性和运动性。呼吸4则不使用任何特殊的演奏方法，只用简单的呼吸。希望这两首曲子能够为众多的笙演奏家丰富更多的现代演奏形式并普及化。--2015笙艺术周《笙现代音乐作品》

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《和》-24簧传统笙和手风琴

曲：田景伦乐者有二及其上，称和。《广雅》万乐从和。《国语·周语下》和六律以聪耳。《国语·郑语》和，乐之本也圣人能为和。《吕氏春秋·慎行论》中和，和缓，谐和，和通“合”，和平，和局无胜负，调和，和为贵。万象皆荣，万法归宗，干戈不见。浮嚣沉敛，传达中华“和”思想。今以二“和”，奏万“和”。--2015笙艺术周《笙现代音乐作品》

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《题献II》为37簧笙与弦乐四重奏（2006）

曲：许舒亚《题献》的构思是基于今天已被遗忘的英国文艺复兴时期的音乐风格，在英国作曲家约翰·塔弗纳的弥撒曲的主音阶与和声的风格基础上重新建筑新的概念、注入了现代元素创作而成。《题献II》是继《题献》之后的又一首新作，与《题献》所不同的是《题献II》注入了中国乐器的演奏及中国音乐的风格元素，为笙和弦乐四重奏而作。《题献II》（In Nomine II）由德国01室内乐团委约创作，2006年7月世界首演

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《引子与回旋随想曲》（Introduction and Rondo Capriccioso）

曲：圣·桑（Saint-Saens）--2015笙艺术周《笙现代音乐作品》

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《天之行》笙即兴

曲：胡建兵喜马拉雅的雪山、白云、湖泊、黄河源头、藏色寺院、朝拜、歌舞、跳神等印象是这首曲子即兴的灵感源泉。--2015笙艺术周《笙即兴音乐作品》

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《未知时间的第二种预想》笙即兴

曲：张梦这是一首笙与未知乐器共同演绎的即兴。除笙的演奏者以外，另外参与的乐手从人数及编配上都是未知。在演出前一天最终决定人员及编制。营造一个极度偶然的演出形式。（参与演出的演奏家们都是有着多年即兴演奏经验及较高音乐素养）一切都是未知，在未知中探寻可能。 --2015笙艺术周《笙

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《跑马山印象》笙独奏

曲：刘瑜乐曲将《康定情歌》作为素材，巧妙运用笙的多声演奏特点，描绘了四川甘孜州跑马山蓝天白云盖四野，牛羊满地牧歌欢的情景，也描绘出天地人和、人与大自然和谐相处的美好壮观场面，表达了作者对康定跑马山的赞美之情。--2015笙艺术周开幕式《名家名曲专场》参考视频1：参考视频2:

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