关于笙 - 分类

《笙色》37簧笙、葫芦笙与中阮、马林巴琴、顧音琴

曲：张婉瑜笙音，拥有偌大美丽的颜色库。在那里,不同的颜色交织出纵横阡陌的笙音，演绎人生的片刻故事。全曲分为五个段落，分别为：<引>A、        <叙>B、        <情>C、        <变>D、  &nb

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《花仙忆》笙与乐队

曲：刘瑜张祖恒乐曲根据大型神话川剧《芙蓉花仙》情境而作。1.《采花》表现了花仙子对美好生活以及甜蜜爱情的向往。2.《幽会》则是表现了花仙子与书郎不忍芭蕉仙为代表的恶势力的压制而对纯真爱情的追求。3.《抗争》表现了善良与邪恶的对抗。善良、美好终将战胜邪恶得到颂扬。参考视频：

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《玄烟》笙独奏

曲：张梦玄是一种矛盾，虚无漂缈，烟亦如此。漫浸于空气中，变化奇丽，像一个故事。其看似漫静，却也有烈动。但终将消散！作品用中国古老乐器——笙来演绎，充分利用笙的多声部特性以及一些传统与现代音乐手法，描绘玄与烟的空间想像感和画面感！--2015笙艺术周《笙现代音乐作品》曲：张梦玄是一种矛盾，虚无漂缈，烟亦如此。漫浸于空气中，变化奇丽，像一个故事。其看似漫静，却也有烈动。但终将消散！作品用中国古老乐器—

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《广陵止息》-笙与打击乐

曲：钟之岳《广陵散》是现存非常古老的一首乐曲，描述聂政为父报仇而刺杀韩王的故事。据《古今乐录》引张永《录》云：“又有但曲七曲：《广陵散》....并琴、筝、笙、筑之曲”但如今只保存了古琴曲谱。作者试图通过笙的乐器特性，如和声、多声部演奏等技巧，结合打击乐器的音响变化，“重构”古代笙曲《广陵散》的精彩与辉煌。--2015笙艺术周《笙现代音乐作品》

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《蝴蝶恋花》笙独奏

曲：刘瑜美丽缤纷的鲜花引来绚丽多彩的蝴蝶，蝴蝶在鲜花丛中轻飘飞舞，流连忘返，从中表达了作者对大自然景色的无比热爱和对美好生态环境的眷恋。参考视频：

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《挂红灯》笙独奏

曲：牟善平苗晶肖江“正月里，正月正，正月里家家挂红灯”，乐曲描写人们欢庆春节的情景。--2015笙艺术周《笙名家名曲专场》参考视频：

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《飞鹤惊泉》笙独奏

曲：李光陆张福全深山碧谷中，清泉流泻，风声伴着水声，哗哗作响，仙鹤飞临，祥光蔼蔼，婀娜和着悠然嬉戏泉边，激动涟漪，这正是：惊泉迎仙客，飞鹤礼神泉。鹤一直被人们赋予善良、清廉、感恩、超脱、长寿等美好的意境。这首作品作者集合了中西方的作曲技法，创作出这首具有深远意境、强烈感染力、体现大自然生机盎然的作品。乐曲以多变的节奏

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《故乡行》笙独奏

曲：徐超铭《故乡行》创作于1993年，作品是徐超铭先生当时回浙江老家探亲，看到故乡变化巨大，有感而发创作的。乐曲以三段体为结构，充分运用了笙的舌颤音、碎吐、呼舌、锯气、复调等技巧技法，并创造性的用柱式琵琶和音（通常为弹拨乐器演奏的分解和弦）作为打音使用，不仅增添了乐句欢快的节奏感，也创造出新颖的和声效果，给人耳目一新的感觉。--2015笙艺术周《笙名家名曲专场》

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《江南柳》笙文曲

曲：冯海云 “江南柳，烟穗拂人轻。愁黛空长描不似，舞腰虽瘦学难成。天意与风慵。攀折处，离恨几时平。已纵柔条萦客棹(zhào),更飞狂絮扑旗亭。三月乱莺声”。乐曲分四个段落： 1

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《唤凤》笙独奏

曲：赵晓生笙，自古与凤凰结缘，亦有“凤笙”之美称。唐代的一些诗中，对“凤笙”有传神的描绘。《唤凤》题名取自殷尧藩《吹笙歌》的末尾二字。诗云：“伶儿竹声愁绕空，秦女泪湿燕支红；玉桃花片落不住，三十六簧能唤凤。”此曲运用作者自创的“太极作曲系统”，并根据唐诗意境创作而成。作者通过对凤凰的描绘，把古老的过去和神秘的未来合为一体，仿佛遨游人生的精神世界，探索人生的奧秘。

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