关于笙 - 分类

“远看笙有色，近听玉有声”—记河南省镇平县民间制笙大师黄林枫先生

远看笙有色，近听玉有声—记镇平县民间制笙大师黄林枫先生作者李浩雨谁家玉笛暗飞声，散入春风满洛城 玉笛凌秋韵远汀，谁家少女倚楼听？敦煌女伎持玉笛，凌空驾云飞天去。在这些诗句里提到的玉笛，是对笛子的一种形容，还是真有玉笛存在？其实我更相信这是一种美好的修辞，古人常把美好的事物比作玉，就连丐帮帮主传承的信物，也被描绘成绿玉做的打狗棍，也就不难理解了。用玉做成笛子，理论上是成立的，放在古代几乎

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芦笙比响促和谐

2021年12月12日，在广西融水苗族自治县梦呜苗寨，两名苗家女在奋力吹奏芦笙。当日，该县举办"芦笙狂欢节"芦笙比响大决赛活动，来自全县22堂芦笙队进行激烈的芦笙比响，吸引众多市民和游客驻足观赏，促进民族团结，传承民族文化。(龙林智摄/光明图片)2021年12月12日，在广西融水苗族自治县梦呜苗寨，几名苗妹在跳芦笙舞。当日，该县举办"芦笙狂欢节"芦笙比响大决

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学术讲座李光陆教授受邀举办国家艺术基金2020年度“民族器乐演奏人才培养”项目笙大师课附：授课视频

2022年5月27日，由浙江音乐学院主办的国家艺术基金2020年度艺术人才培养项目民族器乐演奏人才培养大师课正在进行，浙江音乐学院邀请了众多专业名家名师为民族器乐演奏人才的学员们进行授课。李光陆教授大师课视频（部分）在第二阶段培训课程中，笙专业邀请到中国民乐艺术家，中国音乐学院教授，博士研究生导师李光陆教授，为江苏演艺集团民族乐团高文文和湖南民族乐团彭洁两位学员授课。同时浙江音乐学院笙专业教师申玉

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零距离感受非遗魅力“国保”侗族芦笙走进通道小学

传承人传授吹芦笙技法。孩子们吹奏芦笙。校园芦笙器具。红网时刻新闻4月1日讯（通讯员杨少勇吴林勇）近日，通道侗族自治县第一完全小学的音乐教室里传来一阵阵悦耳的芦笙声，学生们在非遗代表性传承人石敏帽老师的带领下认真学习侗族芦笙吹奏技艺。民间芦笙大师走进课堂，让学生零距离感受非遗魅力。据通道侗族自治县第一完全小学校长介绍，学校利用课后服务时间，开设了侗族芦笙、侗族大歌等民族文化课程，每个星期课后设两

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【非遗文化小课堂】手工技艺——苗族芦笙制作技艺

苗族芦笙制作技艺非遗文化苗族芦笙制作技艺，贵州省雷山县、云南省大关县地方传统技艺，国家级非物质文化遗产之一。2006年5月20日，苗族芦笙制作技艺经中华人民共和国国务院批准列入第一批国家级非物质文化遗产名录，项目编号Ⅷ-33。历史渊源非遗文化《苗族简史》记载：苗族最早的乐器是芦笙，芦笙曲调是苗族最早的音乐之一。戴进权《苗族芦笙的起源浅析》，则从苗族日常习作的历史演变，从苗族风俗、语言、民间音乐等方

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乡情散文：滚仲苗族的芦笙

   乡情散文：滚仲苗族的芦笙文：吴正豪榕江县平江镇滚仲苗寨（人称花裙苗），是有名的芦笙制作地。其生产的芦笙以种类多、工艺精美、音色清亮、音阶准确、格调柔和委婉、旋律典雅而名震黔东南，成为民乐中的名优品牌，颇得社会喜爱。芦笙，谓之苗、侗、水、瑶等少数民族之特有乐器，苗族尤爱。早在商代时期就开始出现，多于南方流行。古时均为演奏指挥、宫廷伴舞之乐器，但由于地方之不同也有用于丧

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吹着芦笙跳着舞，侗族节庆从年初“闹”到年尾

编者按：织娘巧手把经纬之美，编成五彩侗锦；工匠细琢以榫卯之技，又见鼓楼高耸；阿哥阿妹抱琵琶之音，细听侗歌悠扬……在怀化，95万侗族同胞世代传习的生活方式，化作侗族文化的灿烂瑰宝。近日，红网时刻新闻记者走进通道、会同、芷江、新晃等侗族聚居地，在聆听、记录中，侗见怀化。过侗年，千人同吃合拢宴。（资料图）红网时刻新闻记者戴科怀化报道走进怀化通道、会同等侗族聚居地，会情不自禁地被侗族人民的热情所感染，

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芦笙吹响致富路

拉祜族芦笙制作传承人李扎思在试吹制作好的芦笙（9月9日摄）。云南省澜沧拉祜族自治县木戛乡是国家级非物质文化遗产《牡帕密帕》的保护传承基地之一，被称为芦笙吹响的地方，这里传承着传统的拉祜族制作芦笙的工艺。如今，当地政府采取党组织+合作社+农户模式，吸引当地芦笙制作传承人加入合作社，由传承人带领徒弟进行芦笙制作，并将产品交由合作社统一销售；由合作社负责保底价收购并打开芦笙销售市场，在保护传统制作工艺

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十六管芦笙演奏的方法和技巧（三）

接上篇五、小花舌：是将舌尖轻微地放在上牙根，随着呼气或吸气，在气流中自然快速地从上牙根弹回口腔中间，发出“噜”的声音，然后迅速还原。连贯起来发出“噜噜噜噜噜噜”的声音，就像蝉鸣的声音。小花舌适用于乐曲行板部分，抒情优美。气息控制由弱到强、由慢到快进行。六、大花舌大花舌：是一种强力吸气和舌头结合的技巧，方法是将舌头向上卷成“ C ”状形，用一股有力的气流吸气冲击舌头，使舌头振动发出“噜噜噜噜…的声音

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十六管芦笙演奏的方法和技巧（二）十六管芦笙教学-第二、三、四课：单吐、双吐、三吐

一、音阶练习：是学好芦笙最初也是最重要的一个环节，关系到熟悉每个音对应的手指位置。大家在练习的时候应该由慢至快，上下行反复循环练习，中音区熟练了以后再发展到低音、高音区的各个音当中进行练习。二、単吐音和单苦音（一）单吐音：首先要做到“锯气”或“塞气”。练习单吐音时，吹吸之间有意识地将舌头往后缩，舌尖顶住上颚，再迅速伸直，发出“突”的声音，然后舌头迅速返回原位。不断重复这一动作就发出“突突突突”的音

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